There Are No Secrets

  • Title: There Are No Secrets
  • Author: Peter Brook
  • ISBN: 9780413681409
  • Page: 385
  • Format: None
  • There Are No Secrets Peter Brook is the most consistently innovative director in Western theatre In these three essays he returns to the concept of his first book The Empty Space and examines what that means for the life
    Peter Brook is the most consistently innovative director in Western theatre In these three essays he returns to the concept of his first book The Empty Space and examines what that means for the life of a production.

    • [PDF] Download ✓ There Are No Secrets | by ☆ Peter Brook
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      Published :2020-01-16T13:51:47+00:00

    About Peter Brook


    1. Peter Brook born 1925 was a world renowned theater director, staging innovative productions of the works of famous playwrights.Peter Brook was born in London in 1925, the son of immigrant scientists from Russia A precocious child with a distaste for formal education but a love of learning, Brook performed his own four hour version of Shakespeare s Hamlet at the age of seven After spending two years in Switzerland recovering from a glandular infection, Brook became one of the youngest undergraduates at Oxford University At the same time he wrote scripts for television commercials and introduced to London audiences his first professional stage production, Marlowe s Dr Faustus.Brook, called the golden boy, did his first production at Stratford Theatre, one of the world s most prestigious stages, at the young age of 21 It was Shakespeare s Loves Labours Lost He spent the next several years staging acclaimed productions of plays He worked at the Covent Garden directing opera, as well as designing the sets and costumes for his productions Always seeking innovations and styles which would make his productions speak to modern audiences, he ended this experience with opera by calling it deadlytheater He directed plays with prominent actors, including Laurence Olivier in Titus Andronicus and Paul Schofield in King Lear Brook also directed the film version of this production In 1961 Peter Brook directed one of his seven films, the chilling Peter Shaffer adaptation of Lord of the Flies.Despite his successes and the fact that he was named as one of the directors of the famous Royal Shakespeare Company in 1962, Brook continued to seek out alternative ways to create vibrant, meaningfultheater This search led him to direct a season of experimental theater with the Royal Shakespeare Company in which he was free from the commercial constraints of box office concerns The season was called Theatre of Cruelty, a name taken from the works of Antonin Artaud, one of this century s most influentialtheater men Brook s desire was to turn away from stars and to create an ensemble of actors who improvised during a long rehearsal period in a search of the meaning of holytheater Out of this search would come the director s finest work In 1964 Brook directed Genet s The Screens and Peter Weiss Marat Sade, for which he received seven major awards and introduced Glenda Jackson to the theater Influenced by Bertolt Brecht and Artaud, Marat Sade shocked the audience with its insane asylum environment In 1966 he developed US, a play about the Vietnam experience and the horrors of war The production reflected a collective statement by all of the artists involved and was certainly a departure from traditional theater Jerzy Grotowski, one of the most important theater directors of this century and a man who profoundly influenced Brook, came to work with the company during this production Brook also did an adaptation of Seneca s Oedipus by Ted Hughes, a renowned English poet who continued to collaborate with the director for many years The culmination of this phase of Brook s work was hisproduction of A Midsummer Night s Dream 1970 Using trapezes, juggling, and circus effects, Brook and his actors created a sense of magic, joy, and celebration in this interpretation of Shakespeare s play It was a masterpiece of thetheater.After this highly successful production, Brook went to Paris and founded the International Center of Theatre Research He wanted to find a new form of theater that could speak to people worldwide theater which was truly universal He also wanted to work in an environment of unlimited rehearsal time in order to allow for a deep search of self for all involved The firstproduction that came out of this third phase was Orghast 1971 , which employed a new language based on sound developed by Ted Hughes This production, performed at the ruins of Persepolis in Persia, used actors from many differ


    276 Comments


    1. Divided into three sections, the last two were my favourite.

      Reply

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    3. "Theatre has no categories, it is about life. This is the only starting point, and there is nothing else truly fundamental. Theatre is life."

      Reply

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